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And That’s The Way It Is

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And That’s The Way It Is is a collaboration between the University of Texas’s public art program Landmarks and The Office for Creative Research from the spring of 2012. Drawing on transcripts from the Cronkite archives held by the Briscoe Center and live news feeds from around the country, Rubin has designed a digital interface that intertwines Cronkite’s legendary broadcasts with contemporary journalism projected into a choreographed basket weave across the CMA facade. In this, we see Cronkite’s transcripts represented by the Courier font while the live news is represented by Verdana. As a group of sixty students, faculty, and art enthusiasts gathered for the debut of the piece, the collective loud of the crowd carried throughout the newly appointed Walter Cronkite courtyard and struck the appropriate tonality for this unveiling: acknowledging communication.

The projection begins with the visual transcripts from the first 30 minute broadcast Walter Cronkite gave in 1963. This seminal broadcast includes an interview with then President John F Kennedy and marks a turning point in Cronkite’s relationship with CBS, a career that would span almost 20 years. It also ushers the viewer into an era rife with conflict, with Cronkite driving the dialogue to poignancy.

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Photos of And That’s The Way It Is on Flickr

Awards:

2013 CoD+A Award Winner, Public Spaces category
2013 Public Art Network year-in-review, selected project. “The Public Art Network Year in Review program recognizes exemplary and innovative, permanent or temporary public art works created or debuted in the previous calendar year.”

Press:

Austinist
Tribeza

ARGUENDO opens at the Public Theater

Vin Knight and Mike Iveson in Arguendo at the Public Theater. September 2013. Photo: Joan Marcus.

Vin Knight and Mike Iveson in Arguendo at the Public Theater, New York. Sep 2013. Photo: Joan Marcus.

 

ARGUENDO
A new play by Elevator Repair Service Theater Company

Projection design by Ben Rubin and The Office for Creative Research
Sept 24 through Oct. 27 at the Public Theater, NYC
Click here for tickets and information

The New York Times Review

Arguendo re-enacts the 1991 Supreme Court Case Barnes v. Glen Theatre, initiated by a group of go-go dancers against an Indiana law banning public nudity. Electronically mediated with references to relevant court cases and the First Amendment, the play provides insight into the complex interactions between attorneys, judges, and citizens inside the courtroom. The entire oral argument is staged verbatim, interspersed with real interviews from the lawyers, justices, and an exotic dancer claiming her first amendment right to express herself nude. The play explores the moral boundaries & societal codes governing dance and self-expression. Arguendo was co-commissioned by The Public Theater, Woolly Mammoth Theatre Company, ArtsEmerson: The World on Stage and Wexner Center for the Arts at The Ohio State University. Arguendo was workshopped at The Public’s 2013 Under the Radar Festival and developed in part at The Bushwick Starr, New York Theatre Workshop and at Abrons Art Center, Vineyard Arts Project and LaMaMa E.T.C.
Ben Williams. Photo: Sara Krulwich/The New York Times

Ben Williams. Photo: Sara Krulwich/The New York Times

 

Susie Sokol, Ben Williams, Vin Knight and Mike Iveson. Photo: Joan Marcus.

Susie Sokol, Ben Williams, Vin Knight and Mike Iveson. Photo: Joan Marcus.

 

Mike Iveson. Photo: Paula Court.

Mike Iveson. Photo: Paula Court.

 

Susie Sokol, Vin Knight and Mike Iveson. Photo: Joan Marcus.

Susie Sokol, Vin Knight and Mike Iveson. Photo: Joan Marcus.

 

ARGUENDO
Created and Performed by Elevator Repair Service
Performers: Maggie Hoffman, Mike Iveson, Vin Knight, Susie Sokol, Ben Williams
Director: John Collins
Set Designer: David Zinn
Lighting Designer: Mark Barton
Costume Designer: Jacob A. Climer
Sound Designer: Matt Tierney
Projection Designer: Ben Rubin

Media software by The Office for Creative Research:
Ian Ardouin-Fumat, Ben Rubin, Jer Thorp, Noa Younse

Producer: Ariana Smart Truman
Production Stage Manager & Assistant Director: Sarah Hughes
Production Manager: Adam Shive
Movement Dramaturg: Katherine Profeta
Associate Projection Designer & Operator: Eva von Schweinitz
Associate Lighting Designer: Dans Maree Sheehan
Associate Producer: Lindsay Hockaday
Advisors to the Project: Emily Bazelon, Nicholas Quinn Rosenkranz

ERS ensemble members Frank Boyd and Kate Scelsa contributed to the development of Arguendo. Frank Boyd played Mr. Ennis during workshop productions at The Guiding Lights Weekend (March 2012) and The Bushwick Starr (May 2012). Kate Scelsa developed the part of Rebecca Jackson for the workshop production at The Public’s Under the Radar Festival (January 2013).

Thanks to Floyd Abrams, Amy Adler, Bill Araiza, Kate Aufses, Nell Breyer, Douglas Curtis, Elizabeth Derbes, Mark Fleming, Linda Greenhouse, Mark Hansen, Katie Henderson, Bob Kerrey, Charles Platt, Robert C. Post, Lawrence Stierhoff, Pamela Talkin, Nelson Tebbe, Jeffrey Toobin, Ben Wizner, and Paul Wolfson.

Press: The New York Times Review

SHUFFLE at the New York Public Library

FuturePerfect and the New York Public Library present

SHUFFLE

by Elevator Repair Service,

with Mark Hansen, and Ben Rubin

New York Premiere

The New York Public Library
DeWitt Wallace Periodical Room
Fifth Avenue and 42nd Street, New York, NY 10018

Saturday, May 21, 1pm – 6pm
Sunday, May 22, 1pm – 4pm

Shuffle will be performed continuously during these hours; you may enter and leave at any time. The performance is free, and no tickets or reservations are required.

Shuffle is an entirely new kind of ERS performance, one with constantly re-generated text and a dream-like logic. Through this collaboration with installation artist Ben Rubin and UCLA statistician Mark Hansen, the company looks back on its last three pieces through the lens of creative data analysis. The result is a site-specific mash-up where the company attempts to read The Great Gatsby, The Sound and the Fury, and The Sun Also Rises simultaneously.

 

photo: Wayne Ashley / FuturePerfect

 

Following its lauded production of Gatz at the Public Theater, Elevator Repair Service joins forces with artist Ben Rubin and statistician Mark Hansen to present Shuffle, a new performance installation that provides a fresh look at literature we thought we knew. The scripts are generated in real time by computer algorithms that recombine phrases from iconic works by Faulkner, Fitzgerald, and Hemingway. Emerging from behind the crowded stacks of The New York Public Library’s DeWitt Wallace Periodical Room and spilling out into its oak paneled reading area, ERS actors seamlessly blend with viewers and perform surprising new kind of micro-theater.

More details are here on the Elevator Repair Service website.

Directed by 2010 Guggenheim fellow John Collins. Text processing and design by Ben Rubin and Mark Hansen.

The performance is part of the New York Public Library’s weekend-long centennial celebration.

This development of this work has been supported by the FuturePerfect Festival, the Rockefeller Foundation’s New Media Fellowship Program, and by a residency at the Park Avenue Armory.

PROJECT CREDITS

Created by: Elevator Repair Service with Ben Rubin and Mark Hansen
Director: John Collins
Text Processing and Design: Ben Rubin and Mark Hansen
Producer: Ariana Smart Truman
Stage Manager/Assistant Director: Sarah Hughes
Technical Director: Michael Clemow
Company Manager: Lindsay Hockaday
Assistant to the Director: Katherine Brook

Collaborators:
Frank Boyd
Sarah Hughes
Mike Iveson
Vin Knight
Annie McNamara
Kate Scelsa
Kaneza Schaal
Scott Shepherd
Susie Sokol
Lucy Taylor
Matt Tierney
Victoria Vazquez
Ben Williams
Special thanks to Jer Thorp and Michele Gorman

 

Press:

The New York Times Review
The New Yorker Review
Gothamist